Who am I?
Writing a self-proclaiming autobiographic summary does not fit me. Nevertheless, I suppose that—if you’re here—you must want to know a bit more about me.
My name is Benjamin, I am a 25-year-old autodidact photographer from Amsterdam. I specialise in art, photography, shooting both art installation and reproduction. Additionally, I am competent in shooting E-comm, corporate events, portraiture, and interior design.
What I can do for you
I have done work for clients, like Jaski art gallery, gallery Ron Mandos, Avant Arte, ARTITLEDContemporary, Tenclub, the University of Amsterdam—all of whom are to this day satisfied with the work I’ve done for them.
Aaprt from photography, I have worked on a number of videos, films and documentaries. I have extensive experience shooting both short- and long-format interviews and video editing,. Whether for social media or other purposes, I can comfortably say that I can create both photo and video content for your enterprise if you are looking for a combination of the two.
What is it like working with me?
Working with me means no fuss and direct communication. It means that I take care of my side of the business from start to finish. I will always go the extra mile to make sure you get what you were expecting.
I know how to be professional, I know what it takes to deliver quality visuals. I hope the collection of my work on this website attests to this. However, I understand all too well that, most of the time, it is a matter of matching personalities, so tell you what, if you’re considering working with me, shoot me a message or a call and let’s have a coffee. You can reach me any day of the week.
All best,
Benjamin
“The futility of everything that comes to us from the media is the inescapable consequence of the absolute inability of that particular stage to remain silent. Music, commercial breaks, news flashes, adverts, news broadcasts, movies, presenters—there is no alternative but to fill the screen; otherwise there would be an irremediable void.... That’s why the slightest technical hitch, the slightest slip on the part of the presenter becomes so exciting, for it reveals the depth of the emptiness squinting out at us through this little window.”